Five Scariest Screen Psychos Of All Time

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While writing my crime thriller The Watcher, and forming the make-up of my lead antagonist, I made a study of various infamous psychopaths.  I did this both from real life psychopaths, and from fictional psychopaths depicted in novels and on screen.  What I was attempting to do was to build up a composite, a unique character who possessed his own, individual motivations, but would feel authentic to readers by carrying on the long tradition of the fictional and cinematic psychopath.

The true psychopath is probably one of the most interesting and yet possibly one of the hardest characters to write, as although he (or she) might be superficially charming, the psychopath has absolutely zero good intention once you get down to the bottom line.  No empathy, zilch, none.

Unlike most villains, who might at least have a redeeming feature or two, a psychopath is defined by their distinct lack of empathy.  It’s hard to find redeeming features in someone who lacks this essential quality.

After all, people can be flawed, they can even do bad things, but someone who can’t identify with people’s pain, who might even enjoy causing harm and seeing others suffer is naturally abhorrent to us.

Quite rightly too, for that lack of empathy, that sadistic streak, is what makes them a psychopath after all, and not just someone’s who’s merely antisocial or has behavioural problems or violent tendencies.

With that in mind, I thought it might be interesting to take a look at how psychopaths have been portrayed on the big screen.   I selected five screen psychopaths, who I feel have made the most impact on viewers and on movie depictions of psychopathy in general, each selected for their own particular brand of psychosis.

So here it is, my round up of the five all time scariest screen psychos – ever.  Feel free to comment if you agree, or disagree, and mention your fave screen psychopaths in comments, if they haven’t been included.

Max Cady in Cape Fear (Robert De Niro) 1991 Directed by Martin Scorsese

Cape Fear was one of the first films I remember watching that scared the hell out of me, which was mostly due to Robert De Niro’s sinister portrayal of convicted rapist Max Cady.  Cady is a menacing, violent and revengeful psychopath, who’s determined to seek revenge on the lawyer he sees as having betrayed him.

The Scorsese directed film also stars Nick Nolte as Sam Bowden, the aforementioned lawyer, and  introduced me to one of my favourite actresses ever, Juliette Lewis, who went on to star in another psycho flick, with Oliver Stone’s bloodsoaked Natural Born Killers.

Cady is manipulative, a master at getting his own way, but he’s also predatorial, as evidenced by the way he expertly works his way into Nolte’s family, via his grooming of Lewis.  There are many points during this movie where I felt the suspense grab me by the gut and the end scene is particularly tense; the first time I saw it I was, literally, on the edge of my seat.

This film is important in the hisroty of fictional psychopaths because it emphasises a common trait many who possess the psychopathic personality have and that’s being unable to rest until perceived injustices are righted.  In Cady’s mind, that’s his rape conviction, and in the movie, his mission number one is to cause maximum damage for the person he perceives as responsible for that conviction, Nolte’s Bowden.

Annie Wilkes in Misery (Kathy Bates) 1990 Directed by Rob Reiner

A truly chilling depiction of a screen psychopath, the sinister yet chillingly everyday Annie Wilkes, brilliantly portrayed by Kathy Bates in Rob Reiner’s adaptation of the Steven King novel.  Annie’s psychopathy unfolds slowly, which only prolongs the intensity and suspense for the viewer, as we all suspect what’s coming for James Caan’s poor writer Paul Sheldon, but we have to wait to have our worst fears confirmed.

When I watched Misery for the first time, it struck me that a claustrophobic domestic setting such as Annie’s cabin can be just as scary, if not more so, than any scenario involving high octane chase or outright kidnap or abduction.

Often it’s the ordinary things, mundane situations carrying a hint of the sinister, that have the power to elicit more creepiness out of us than any amount of over-the-top outright psychotic displays.  What could be more ordinary than the stereotypical middle-America character of Annie Wilkes, at first glance?   Though of course Annie does go on to unleash the full power of her terrifying psychosis in Reiner’s film, at first it’s this subtle undercurrent of menace that grips us and makes us watch on.

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Patrick Bateman in American Psycho (Christian Bale) Adapted from the Bret Easton Ellis Novel

As well as being a brilliant satire on corporate America’s culture of greed, and more, more, more, American Psycho introduces us to one of the most chilling psychos I have ever seen depicted on screen, or in fiction for that matter.

Bateman exudes danger, and unpredictable menace, and what’s more he inflicts the most brutal carnage without showing one shred of remorse.  The film, adapted from the excellent novel by Bret Easton Ellis, is more than just a slasher fest, but is also a fusion of bitingly acerbic social commentary, horror movie, and sly observation on just what happens when a character with no soul like Bateman is enabled by a society committed to some truly selfish mores.

American Psycho features some bizarre and disturbing scenes that perfectly depict the senseless violence of a psychopathic and damaged mind.  More than that though, I think it goes further, and forces us to take a long hard look in the mirror, at our society, and some of the values we currently embrace.

Norman Bates in Psycho (Anthony Perkins) Directed By Alfred Hitchcock 1960

Norman is the classic movie psycho, the gold standard of terrifying madness depicted on the silver screen.  Influenced by his bullying, sadistic mother, Norman goes on to become a psycho of utterly horrifying proportions, butchering seemingly randomly selected hapless guests who’ve had the misfortune to book a stay at the Bates Motel with merciless frenzy.

Norman though, is unlike our other screen psychopaths.  In fact I would argue he is a psychopath made not born, as we the viewers are shown that while indeed he is under the grip of a psychosis of  biblical proportions, his madness is at least in part someone else’s fault aka his mothers.

Hitchcock, of course, was one of the masters of suspense, and in this movie he peaks, with a chilling portrayal of a disturbed and abused mind.  Norman is important in the pantheon of movie psychosis because twisted and depraved as he might be, because of what he has had to endure, viewers can even find some empathy with him.

Hannibal Lector in Silence Of The Lambs (Anthony Hopkins) Directed by Jonathon Demme (Academy Award Winning)

Ah, Hannibal Lector, the menacingly muzzled psychotic, first introduced to us on the silver screen in Jonathon Demme’s dark psychological cinematic foray, The Silence Of The Lambs.  The movie, starring Jodie Foster as FBI agent with a troubled side Clarice Starling, and Anthony Hopkins as the charming but psychotic Hannibal, dares to probe beneath the typical trappings of the big screen psychopath and lets us glimpse at the even more horrifying psyche beneath.

Silence Of The Lambs is particularly scary because Hopkin’s Hannibal knows no bounds.   In his world, everything can be justified, and morality is all relative, held in thrall to a madman’s slanted perspective.  Everything Hannibal does, he can justify, at least in his own mind, and frequently, extremely eloquently to others.

Lector is such an expert manipulator, and so adept at getting under other’s skin, that even Foster’s tough-as-nails FBI Agent Starling starts to unravel. Even in Lector’s most brutal killings there is a chilling restraint and meticulous execution, unlike Bateman, or Bate’s frenzied violence.

Who’s your favourite big screen psycho and why?  Leave a comment below and tell us why you agree or disagree with the top five cinematic psychos featured in this article.

If you enjoy probing the recesses of a psychopathic mind, you’ll love THE WATCHER, a terrifying journey into the twisted mind of a master predator.  The novel is released on June 21st by Crooked Cat Books, and you can pick up a paperback copy at special discount price ahead of the official release, or pre-order your e-copy
GET YOUR COPY OF THE WATCHER AT PRE-ORDER PRICE HERE!

Eli Carros is published by Crooked Cat

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So… why Treacle?

Treacle  ˈtriːk(ə)l

noun: treacle; plural noun: treacles

  1. a. British: a thick, sticky dark syrup made from partly refined sugar; molasses.

         b. syrup of a golden-yellow colour; golden syrup.

  1.  cloying sentimentality or flattery.

“enough of this treacle—let’s get back to business”

Origin: Middle English (originally denoting an antidote against venom): from Old French triacle, via Latin from Greek thēriakē ‘antidote against venom’, feminine of thēriakos (adjective), from thērion ‘wild beast’. Current senses date from the late 17th century.

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According to various online sources, the word treacle goes back to a borrowing from Old French triacle, a word referring to the sugar-syrup base into which apothecaries would decant whatever nasty-tasting cures they wished their patient to take. The word derives ultimately from a Greek word thēriakē, meaning an antidote against venom, which suggests that its early applications were topical (i.e. slather it on the outside, rather than apply it to the inside).

This dark, viscous product of sugar refining thus gained its name due to its association with apothecaries and their products. All the syrupy by-products of sugar refinement were known as treacle, but later the British firm Lyle perfected the refining process to produce that other, more popular, sugar syrup known as golden syrup. You can still buy treacle – these days it’s often called black treacle (or, in the US, molasses), to distinguish it from its golden cousin.

While sugar can be produced from beets as well as sugar cane, only the latter produces a pleasant tasting treacle.

The 17th century seems to mark the time when treacle made the jump from a medicine to a foodstuff. https://britishfoodhistory.wordpress.com/tag/treacle/ suggests ‘bread tart’ and ‘sweetmeat cake’ as early recipes using treacle, and the earliest recipes for ‘treacle tart’ in the 1870s precede Lyle’s development of golden syrup, even though most modern recipes call for golden syrup rather than black treacle. Gingerbread, which has been around at least since the 1400s, switched to using treacle as an ingredient during the 18th century. But the popularity of ‘Mary Poppins’ suggests that the association of sugar syrup with medicines remains as strong as ever.

I’m rather drawn to the idea that a substance famed for being sickly sweet (as in the famous treacle tart of my story – the favourite dessert of Harry Potter – and the treacle wells mentioned by the dormouse in Alice in Wonderland) ultimately derives its name from medicines which were so bitter that they required a sweet coating. That seems a good metaphor for this story collection.

In Treacle and Other Twisted Tales I take some well-known tales and retell them with a twist, a difference, or a wee flicker of darkness. There are new stories, too, some drawn from imagination and others from experience. There are no entirely happy endings – I don’t really believe in them – but some at least come to satisfactory conclusions. If there’s a moral in the story, it’s that beneath sweetness there is always a small, sharp tang of bitterness, and sometimes the sugar coating is very thin indeed. Life isn’t fair, and nothing ever turns out exactly the way we want it to. These aren’t fairy stories, you know.

As for the second meaning – sentimentality or flattery – isn’t that the business of we fiction writers? I employ my words as the appetising coating to encourage some unpalatable suggestions to go down. Did I sweeten the mixture enough?

And am I genuinely channelling my East End ancestors, or merely mocking Eastenders the soap, when I say to you, “Don’t worry, treacle* – if you don’t like this story, maybe the next one’ll suit you better”?

*Treacle (tart) = sweetheart

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Orchestral Manouevres in the Dark

Here’s a free story, to say thank you to everyone new who is following me (and all you lovely people who’ve stuck with me all along).

Orchestral Manoeuvres in the Dark*

The orchestra pit smells of sweat and rosin. Here in the first violins the sweat smell is faint – it’s rarely a physical job, producing the sweet strains of fiddle music, unless they’re doing one of the long, complicated Mozarts or some tricky modern stuff. Of course, if the First Violin is playing a particularly demanding solo the sweat flies along with the fingers, and the ambience becomes just that bit riper.

Next come the cellos. There are interesting scrapes in the floor, marring its polished finish, all running more-or-less parallel to each other. The cellos’ points stab into the floor, and slip a little when the cellists really get going. The grooves are almost impossible to see in the darkness. They are sticky with rosin. It’s not pleasant to walk across this section – she does it on tiptoe.

It’s no fun going further forward. There’s that big box where He stands. He has a funny smell – pungent, spicy, makes you sneeze. Nasty – and the box is too high for a comfortable jump. Better to go back, into the woodwinds.

Here, there’s a faint metallic smell – flutes and piccolos well warmed up – and a whiff of the grease that lazy wind players use to make their instruments easy to adjust. The trumpeters are gone in a waft of Brut and Brasso, but further round some of the larger horns have been left behind, upended. She rubs herself on their fingerpads and winds round the chairs, heading for the percussion section.

This – this is her favourite part. Lots of things that swing, and glitter, and chime. It’s fun to pat the sleigh bells and knock them against each other. Tubular bells knock back, and she gives them a wide berth. It’s back here amongst the drums that the best smells lurk – yeasty, fulsome smells of large men with interesting body odours, drumsticks imbued with sweat and dirt, very nice to chew. And skins. The gorgeous, meaty, tantalisingly faint smells left in skins when they have been bleached and stretched out across drum heads, reverberating with the strangled cries of the creatures they once covered.

She jumps up onto the largest of the timpani. Its taut surface booms faintly as she lands, releasing a faint mist of dust that she analyses minutely, detecting the timpanist’s tuna sandwich lunch, his neighbour the triangle player’s athlete’s foot and even a faint scent of aftershave all the way from the rostrum. She sneezes and turns her back, and turns and turns again, enjoying the tiny vibrations that shake the skin. She settles down and regards her domain, before lifting a back leg and proceeding to groom her impeccable fur. The orchestra pit is ready for tomorrow, and the orchestra cat is ready for her evening snooze.

*Any relationship between this story and the New Wave group of the same name is purely coincidental.

Maryika’s Christmas

palekh-troika-for-christmas-2016

Today’s story for https://www.facebook.com/christmaswithcrookedcats is full of magic and wonder – with a modern twist.

Maryika’s Christmas

Christmas Eve, 2016.

“It’s not fair.” Andre ran from the room, slamming the door as he went. Maryika followed, more slowly. At twenty-two she should be above her brother’s adolescent rages. She agreed with him, though. It wasn’t fair.

Their mother had made it all sound so reasonable. “We have so much. All our needs are met. Christmas is just one more occasion to give each other gifts that we can give at any time of the year. And it’s such a worthy cause.”

It was. That was what made it so hard to object. Their parents’ decision to donate to the charity War Child all the money that they would usually have spent on Christmas gifts was a harsh surprise for their children. But their mother was also right: they had so much, and it wasn’t a terrible idea to give some of what they could spare to help children to go to school, or get the medicines they needed, or keep themselves warm and safe in this winter season.

Christmas was a time for giving. Of course they should give as well as receive. Even Andre had to admit it was selfish to argue otherwise. He hadn’t lost the plot until Mama had told them she had asked all their relatives to donate the money they would have spent on gifts to the charity. This Christmas no-one would be giving any gifts at all.

Which somehow made the generous gift to the charity feel like robbery. Especially to Andre. At sixteen he was still half a child, and the thought of Christmas without mounds of presents under the tree, and cupboards full of treats to raid when he thought Mama wasn’t looking – well, it wasn’t surprising he’d lost his temper.

Maryika wandered into the kitchen, where Baba was making vatrushka, one of Maryika’s favourites. “I thought there weren’t going to be any treats this year,” she said.

Baba glowered. “Simple peasant bread,” she said, folding the delicious doughy mass over and over with her hands, kneading it gently until smooth and ready to rise. Once cooked, the sweet, soft bread rolls would be perfect with stewed fruit and cream, or just as pleasurable to eat by themselves with a cup of coffee. The old lady sniffed. “Nobody told me we were not to eat,” she said, covering the rounded shapes with a muslin cloth. “No point everybody dying of hunger to save some children we don’t even know.”

“Baba!” Maryika was shocked. “There are children who can’t even go to school, or buy medicines if they have conditions like diabetes. Their families have lost everything. We’re just trying to help them as much as we can.”

Baba looked her over, black eyes shining in the heat of the kitchen. She poked Maryika in the arm and made her yelp. “I thought you didn’t like the idea?”

“It’s a good idea. There’s a real need. It’s just… I think Andre’s afraid it won’t feel like Christmas. And so am I, really.”

Baba’s face softened. “It will still feel like Christmas,” she said. “I can promise you that.”

She turned back to the stove. Maryika sat down at the table and watched her grandmother bustle around the kitchen. Upstairs there was a muffled concussion as Andre banged another door.

Baba turned back and pushed a mug across the table towards her. Maryika sipped the hot milk, smelling of nutmeg and cinnamon. It tasted like childhood. She closed her eyes, lulled by the sound of Baba’s voice. “Tonight you will dream a wonderful dream. You will be part of the miracle of Christmas.”

Maryika opened her eyes again to see Baba gazing at her, al the wrinkles of her face deepening as she smiled. “Now go talk some sense into your brother, before he knocks the whole house down in a rage.”

Maxim Lyotov stood at the window, looking out over the landscape but seeing nothing. Sonya was crying again. He couldn’t bear it. He had to bear it.

She had received the news yet again of her failure to conceive. It wasn’t anybody’s fault. The doctors had done their best, but for no particular reason it seemed that she could not bear a child, or he could not engender one. Their bodies produced sperm and egg as required, and the two seemed perfectly happy to merge and produce embryos, but one by one each implanted pregnancy failed.

Worst were the attempts which seemed to be working. Sonya would begin to bloom, trying all the while to deter conversation about the baby, superstitiously behaving as if talking about the pregnancy could be fatal, only for it to end in blood and pain, long before the child began to properly grow. This time had been easier – no sooner begun than ended – but she was still devastated. She was exhausted with the process, and he couldn’t stand to see her distressed any longer.

Today he’d told her that there would be no more attempts. He forbade it. They were not meant to have children, and that was an end to it. Now she was crying over his cruelty. Maxim clenched his fists in his pockets, by long habit concealing his emotions. He’d learned from experience that success came more readily to a man who seemed steady and controlled, free from passion.

He was the last, and now anonymous, prince of a tiny principality once swallowed up by the great Soviet, and now released into the grasp of one of the new countries: shaky, half-imaginary nations invented by Stalin, peopled with incompatible tribes and ethnicities, struggling to find cultural identities of their own. There was no room for princes, or titles, in the new reality.

Old blood still counted for something, though. It had got him into a good English-speaking school. He’d worked hard at the school, where the other pupils knew him as Max Winterson. They’d guessed, some of them, that he was from somewhere to the east of the European continent, but he’d never discussed his roots. ‘High born family fallen on hard times’ was a label that could have been applied to many of the boarders, and it didn’t make him stand out.

Brains and hard work had got him into Oxford, and out again, with a double first: into the diplomatic service and eventually to the post of UN Special Envoy to S___. The post was not without its rewards, including a generous salary which paid for the flat in Vienna with its floor-to-ceiling windows, and for the repair and upkeep of his family’s dacha.

Maxim peered out of the window of the dacha at the forest edge a few metres away. Winter wasn’t the best time to be here, despite the comforts of a roaring fire and a bed heaped with furs, but Sonya had wanted to get away for Christmas. Somewhere they could be alone. He understood it, he supposed. Her emotions were too raw to expose to Vienna’s party season, and the night of the Christ Child’s birth was bound to be difficult for her, with its extra reminder of a baby, both loved and unloved all at once, crying out in a need that Sonya yearned to meet.

The stars were blurring as cloud blew in. At some point tonight there was going to be snow. Maxim turned away from the window and went to comfort his wife.

The night wind was cool off the water and Zander shivered, drawing his thin cardigan around his shoulders. Zoe crouched at his feet, feeding the baby. Hana was a tiny child, hardly strong enough to bear the weight of such a portentous name. Hope. The flower of their happiness, if they could only escape. The foundation stone of their new life, or so he told himself, straightening his spine and squaring his shoulders as befitted the head of a household.

Father had given the last of his money to the traffickers, staying behind to face his own likely death at the hands of the fighters of one side or the other; they were all as bad as each other. Why they were fighting, no-one knew any more. Only that each side believed they had God on their side, and were therefore ultimately unbeatable.

Life everywhere had degenerated into survival, and then incarceration in a prison the size of a city. Getting out of the country, getting to Europe, was the only way to ever escape the violence. The family’s life savings had paid for their freedom.

It had only got them as far as the border, though. There the traffickers dumped them into a locked room in a small house; two dozen or more children, thrown together by their common fear of the men to whom they had been sold. The traffickers said they needed more money. They let the children use a mobile phone, to contact their families. Some must have paid, because those children were removed from the house and not seen again.

Often it was the older girls who were taken, and, once, one of them was brought back. She hid in the corner until the traffickers left, and the younger girls went to her. Zander could not hear the story she whispered to Zoe, and when he asked his sister told him it was not for boys to know. The daily mobile phone calls continued. Zander’s father was trying to raise the money. He asked Zander to tell the traffickers that he would get it; they were to be patient.

The next day the men took Zoe. When they brought her back, Zander could see a terrible thing had happened, but Zoe turned her face to the wall and refused to speak to him. One of the traffickers had formed an attachment to her, and took her out again and again for a few weeks. One day, however, he pushed her back into the room with her face cut and bruised, and he did not come for her again. By summer it was obvious she was with child.

Zander knew he was supposed to reject her. She was unclean. She had lain with those men, those monsters. But it was clear that she had not had a choice. And besides, she was his sister, and he was responsible. At last his father had provided the money – borrowed or begged or stolen, Zander did not know – but it was enough for the next stage of the journey. They waited, on the darkest night of winter, for the boat that was to take them at last to safety and a new home.

Maryika lay snuggled into the warm depths of her bed, sinking slowly into sleep. She sighed, and burrowed deeper, as she closed her eyes.

She opened them on a vista of fields and forest, under a sky sprinkled with stars. Everything was dark except, with true dream-logic, the thing she was looking at. To begin with, it was three horses, grazing at the far edge of the field. It was night, and she couldn’t make them out clearly, but somehow she knew that one was white, one a fiery bay, and one golden as the sun with flaxen mane and tail. As she watched, Flaxen Mane lifted his head and came trotting towards her.

A movement caught her eye, and Maryika glanced to the left, into the face of a boy… a man… no, definitely a boy. He had the kind of ageless face that could belong to a male of twelve, or twenty-two, but surely no older. His eyes were brown, deep as peat bogs, and looking into them Maryika somehow knew that here was the oldest person she had ever met. “I am Nikolai,” he said, nodding to her. “Your grandmother told me you would come.”

Behind him was something that glimmered. Maryika focused on it, and saw that the boy was standing in front of a troika, harness in hand. Flaxen Mane trotted up to Maryika and pressed his nose into her palm, then moved towards the boy and stood before the troika. The boy fastened the harness, and the horse stood quietly until he was finished, whereupon he shook his head and a merry tinkling of bells rang out.

The boy whistled, and the white and bay horses came in their turn to be tied into the harness, either side of Flaxen Mane. The bay shook his red mane and snorted at Maryika, in a not-altogether-friendly fashion. The white stood calmly, its eyes fixed firmly on Flaxen Mane, taking no notice of the harness or the boy. Nikolai removed a scarf from around his neck and held it out to her. He wore another, identical – beautifully woven in patterns of multicoloured snowflakes out of some fine, silky material.

Maryika took it, expecting it to feel cool, but it warmed immediately in her hands. Only when she wrapped its warmth around herself did she realised how cold the wind had become. Its strength was rising, and there was ice in it.

The boy clambered aboard the troika and held out his hand to her. “Please,” he said. “I have a difficult task ahead of me, and I cannot complete it without you.” Maryika climbed up beside him, and he pulled a fur wrap over their knees and flicked the reins. She gripped the seat tightly, not expecting such a burst of speed, as they galloped over the frozen ground and into the air, over the trees, the fields, the tiny, scattered houses, far below, and out over a vast expanse of black water.

Up here the air must have been icy, and fat flakes of snow whipped towards them like a blizzard, but the wind was drawn aside as the three horses shouldered into it, leaving the boy and girl sitting comfortably in a calm, sheltered space. The troika dipped lower, and Maryika began to see movement in the dark waters below. The boy leaned his head towards her.

“There is a boat on the winter sea tonight,” he said. “A poorly made boat, owned by evil men whose only thought is to milk their victims for all that they can give before disposing of them. There are children on the boat; children who believe they are going to a safe haven, who do not know they are going to die.” Nikolai frowned, and for a moment an ageless light shone out of his eyes. “It is in my nature to want to change such things, if I can. Are you with me, Maryushka lisichka?”

Maryika ignored the endearment (he wasn’t the first to comment on the hint of red in her hair, and being called a fox by a stranger of indeterminant age was not something she wanted to draw attention to). But the thought of children, in danger, in the middle of the vast cold sea below them filled her with horrors. “Let’s do it,” she said, before she could change her mind.

She gasped as the troika dropped, hauled in the wake of the three straining bodies before them. In the inky darkness above the water the three horses shone with an inner light, white and red and gold, like a sudden sunrise. Below she could see a little boat, half swamped by the waves. There were already people in the water.

Nikolai snapped the reins and they went lower still, until they hung in the air just above the sinking boat. He leaned out and hauled a man into the troika. Maryika got down on the floor and reached towards a woman who was in the water. Their hands touched, but instead of grasping her, the woman thrust a bundle into Maryika’s hands and fell back, her head going under. The bundle wriggled, and a small child climbed out and disappeared into the back of the troika, which seemed larger than she’d first thought. There were already a half dozen or so people back there, and they were hauling others up to join them.

The woman who had sunk under the water suddenly shot up again, and Maryika grabbed her. She could see that the woman was being pushed aloft by hands and arms made of water. As the woman scrambled past her, Maryika saw that the water was alive with the bodies of women, all dark, all beautiful… all made of the same black water as the sea. Rusalkas. In Baba’s stories, they were figures of sorrow (drowned maidens) or fear (they would drag a traveller beneath the surface of their watery homes and keep him forever). She had never heard of them rescuing drowning people before.

Before her, some of the older and more able-bodied passengers were clambering onto the backs of the horses. Strangely, the horses’ bodies were growing, elongating, like the troika. No matter how many climbed up, there was always room for one more. With a frisson of fear, Maryika recognised another of her childhood nightmares: the water horse, able to carry its prey upon its back deep into the dark tarns and pools of the steppes, there to suck the flesh from their bones. As she thought this, the fire-coloured horse turned and grinned at her, pinpoints of red deep in its eyes.

She screamed, but the white horse glowed suddenly brighter, and Flaxen Mane shouldered the bay and bit its flank. The bay stood still in the air, its skin shivering, but tolerating the people on its back, who looked as frightened as Maryika felt. Those on the back of the white horse seemed to have fallen asleep.

Maryika reached again, to a young man whose white face was turned up to hers. The arms of the watery women were already around him, but instead of lifting, they were pulling him down. He struggled in the water, fear etched on his face. “No,” Maryika shouted, and reached again. Her fingertips touched his – they were warm, and very human.

One of the fluid forms drew up to the troika and hissed, “My sisters have claimed him.” Maryika shook her head and reached again. One shapely arm reached up and caressed her cheek. “This one has done great evil. He is ours now. Let him go.” The troika rose suddenly, and the young man’s form dropped away.

Maryika curled up around her distress as Nikolai snapped the reins and they began to move. She stayed that way as they galloped over the deep waters and up onto the shore. All she could see was that pale, terrified face sinking below the water, drawn ever deeper as the rusalkas put their hands on him, and she wondered what would have happened if only she had reached further, tried harder. They said he was a bad man, but perhaps he might have done some good, someday, if only she’d been able to hold on to him.

They landed as lightly as a feather, on a field adjacent to a great array of tents. The place didn’t smell very nice, but the people seemed glad to be back on solid ground, and stumbled away towards shelter. Nikolai held the reins in one hand and wrapped the other around her, pulled her into a hug. “The rusalkas saved many, tonight,” he said, “but they have the right. They will always take some.”

Maryika gulped and wiped her tears on her sleeve. The horses had returned to normal, trotting delicately across the air, glowing only slightly, and the troika had almost returned to its original size as well. But when she turned and looked she realised that there were still two children, clinging together and staring at her with huge eyes. Three children… she noticed that the girl was clutching a tiny baby, which had begun to wail.

Nikolai guided the troika down to a gravelled driveway beside a large house. There were still one or two lights lit, and there was smoke coming from the chimney. He jumped down and lifted the children onto the porch, leaning forwards to rap loudly on the door, before turning away. He leapt back into the troika and with a jingle of harness bells they were away, sweeping to the treetops as he gave the horses their heads.

“What is it?” Sonya crept down the stairs behind Maxim, who had lifted his old gun down from its stand behind the door. “Who would come at this hour?”

The front door creaked open and her hands went to her mouth. “Oh, the darlings.” She reached out and swept the boy into her arms. He was thin, and trembling with the cold. “Who are you?” she asked.

The boy spoke, and she did not understand a word, but her husband twitched in recognition. He spoke back, musical syllables falling from his lips. Then he turned to her.

“The boy is Zander,” he said. “He speaks Arabic – they are refugees, from across the water. He says their boat sank. There is more, but I don’t understand it.”

“Oh, hurry, get them inside. It’s too cold for a child to be out.”

Zander stumbled into the warmth of the hallway and sank to the floor. Behind him, Zoe flinched as Sonya reached for her, clutching her bundle tightly in her arms. The baby began to cry. It was cold, and hungry, and wet and, unable to decide which was the most distressing, decided to wail in earnest about all its miseries at once. Zoe deigned to allow Sonya to place her dressing gown around her thin shoulders, and walked on her own into the house, where she stood, clutching her daughter and looking around herself in wonder.

Maxim hung up the gun and went to poke the fire. Sonya paused for a moment, looking up at the sky, snowflakes melting on her face as she listened to the very far, very faint sound of harness bells. “Thank you,” she whispered, putting her hand over her mouth to quell her words as she closed the door and went in, but her heart went on saying it, silently. “Thank you.”

There was a flurry of wind in her face, and a soft rush of snowflakes brushed across her cheek like a windblown mane which was, perhaps, the pale gold of dawn that now brightened the sky. A single warm huff of breath redolent of straw and stables warmed her ear, and was gone. Maryika became conscious that she was standing on her own back doorstep, barefoot in the snow. The warm, bright scarf was still around her neck, and she held another in her hands.

The door opened, and Baba stood there, both hands wearing oven mitts, holding a steaming tray. Maryika slipped gratefully into the warmth. It didn’t seem strange that Baba was not at all surprised to see her. She lifted the scarf in her hands. “Look, I have a present for Andre.”

Baba nodded and turned away, to lift the next tray from the oven. She spoke over her shoulder to Maryika. “I told you it would feel like Christmas when it came. Now, put your apron on, babushka. You can crush the walnuts for the korolevsky cake.”

The End

The picture is a palekh-style illustration of a Russian troika (winter carriage drawn by three horses). You can get news about my writing at https://www.facebook.com/TheCalgaryChessman/

or follow me @alayanabeth on Twitter.

‘Christmas Landing’ for Crooked Cat’s Christmas

Day 4 of Christmas with the Crooked Cats’ advent calendar.

Crater Under a Big Sky

Intergalactic Seed Ship Hawthorn. Second Officer’s Log.

Day 1: We’ve made it. Successful landing on the planet we’re calling Christmas, because that’s the date by which the first extraterrestrial human colony will be up and running. The preparations took years, but now our crew of three is about to begin to revive the colonists, and the day we’ve waited for will finally arrive.

Day 3: the instruments are all telling us that it’s safe to open the hatch. There’s a breathable atmosphere out there. I wonder what we’ll find.

Day 7: more of us are being revived each day. It’s starting to look like a real settlement, but I can’t help feeling depressed. We knew things would be different, but I’d hoped for trees. Green things. Something a bit more like home used to be. We’ll get to work planting just as soon as the ground is prepared, but at the moment everything is barren and dry. Not a living thing as far as the eye can see.

Of course, for all we know the ground outside the ancient impact crater where we landed is covered with lush jungle vegetation, but our settlement site was chosen carefully, to be sheltered from the wind that our atmospheric scientists told us would be fierce, and as a result our horizon is small, and close – and bare.

Day 13: I don’t believe in bad luck. I don’t. Thirteen is just a number. We have halted the revival program. Our scientists have discovered a slight, unforeseen and completely lethal variation in the radiation from the sun. Those of us already on the surface have received enough radiation to kill us – not immediately, though it is already enough to shorten our lives. We are spending as much time inside the ship as we can, but with so many awake we are all very cramped.

Tests have shown that our plants will not grow. The radiation is toxic to all forms of earth life. We are facing a slow death by starvation.

Day 17: I cannot bear being cooped up inside any longer. If I’m going to die, I’d rather it was out in the open, under the sun – feeling the wind on my face. A small group of us are going hunting. There must surely be something alive in this place. All the tests indicated that there would be.

Day 19: Well, there is life here. Still no sign of anything that you’d call a plant, and when we slogged to the crater’s rim the barren landscape spread in all directions as far as we could see, but there’s an animal: small, fat, running on two legs with stubby upper limbs. Some kind of small dinosaur, maybe. We tried to catch one, but even with the long-range pulse guns we had no luck. They’re just too speedy and maneuverable. Ensign Tolly stuck his leg in a hole and went head over heels – broke it in two places. We’re carrying him back now.

Day 21: I’m going on my own. It’s against orders, but the hierarchy has almost broken down now. Along with the replicators. Something to do with the damned radiation: it’s cooked some of the components, and now we can’t make anything other than a grey, tasteless mush. They tell me it provides adequate nutrition, but it doesn’t feel like it. I’m desperate for something with taste, and a bit of texture in my mouth. What I wouldn’t give for a bacon chop, or a nice crisp apple!

Day 22: I’ve come almost as far as I can go before turning back. If I walk any further I’ll not make it to the ship before my mush-ration runs out. I can’t bring myself to care. There’s something catching the sun to the south – flashing intermittently – for all the world like a signal. Of course it can’t be, but I’m going to take a look anyway.

Day 23: Amazing. I found the things that live here. I’ve found everything! Trees, crops, animals, bird-things – people, of a sort – all down a hole in the ground. They live in immense underground caverns, where the lethal radiation of the star is filtered through the layers of rock.

There are these little green men. Really! Hairy little guys, like skinny green orang-utans. They don’t speak – just kind of sing or hoot at each other – but they seem to communicate through the flashing of mirrors. The signals they exchange across the cavern’s expanse are quite complex, so I’m sure they have some kind of language.

They like me. I’ve been adopted. There are three or four of them that look after me – bringing me food, water, painting me with some kind of tribal colours, massaging my hands – they’re fascinated by the smoothness of my skin. They’ve sent a delegation to the ship. They’re going to invite all of us to live with them.

Day 25. I like my new friends, but it’s great to have human faces around me again. We’ve closed up the ship for now, although in time perhaps the others can be revived and brought to join us, but the rest of us are together, and you wouldn’t believe how happy we all are. The little green guys are pretty happy too. They’re preparing a feast for us. There is a fruit a bit like an apple, and another one rich and juicy like a peach, but it tastes of onions. They make flour from a kind of mushroom that grows on the cavern roof, and then cook it up into patties. And down a level from where I’m sitting they’re preparing the meat.

The green guys are pretty good trappers and hunters, with all sorts of ways of catching those little reptile runners. They smell really good, cooking on spits over the fire. And it turns out they taste just like turkey.

My Favourite Crooked Cat Books

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You probably already know that my Calgary Chessman trilogy is now complete, with the publication of The Ashentilly Letters (myBook.to/Ashentilly). Now that the series is safely launched, I thought it would be more fun to talk about some other great books from one of the best Indie publishers around. You can find all these books and more at http://www.crookedcatbooks.com/

Not only do you get quality story-telling from a Crooked Cat author, they also do their own in-house cover design, and the quality of covers is superb.

Scott Perkins’ Howard Carter Saves the World. Sure, it’s aimed at older children, but I’ve never let that stop me.  Here’s part of my review: Howard is about to save the world (from aliens, natch) but I’m four chapters in and still not sure how he’s going to go about it, given that despite his fiendish cleverness he’s barely capable of surviving in human society. He’s the kind of boy who, upon discovering that he’s never selected for basketball, creates a robot so impressive that his peers are terrified into picking him – whereupon the opposing side picks the robot and Howard ends up being trounced by his own creation. Little does he know it, but Howard has real friends at this new school, as well as the robots he creates (one of which is responsible for a truly terrible pun. No, I’m not going to repeat it. That would only encourage him).

Black-Eyed Boy by Laura Huntley (and its sequel, Green-Eyed Girl). Small town girl meets mysterious stranger, who turns her world upside down. The town is Whitby (home of Dracula), the girl is at the start of what promises to be an amazing journey, and the boy is much more than he seems: eyes as black as Whitby jet, or ravens’ wings. This is a romantic fantasy in which the ordinary world conceals magic – it’s suitable for young adults; a sweet and enjoyable read.

The Highland Lass by Rosemary Gemmell. A perfect example of one of Crooked Cat’s most popular genres: modern romance with historical links, in this case to poet Rabbie Burns and his Highland Mary. The romance is a lovely story in its own right, and the heroine’s search for her own roots tangles nicely with the real history of the famous poet.

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Emma Mooney’s A Beautiful Game. A story about dysfunctional families and a vulnerable boy trying to understand the adults who should be there to protect and nurture him. It’s dark, powerful, and difficult to read, and it made me cry. Exemplary writing.

The Ghostly Father by Sue Barnard. Sue’s an accomplished writer, a master of her craft, and this is only one of a number of great books from this author. Think you know the story of Romeo and Juliet? What if things weren’t quite what they seemed, in Shakespeare’s play? Sue plays games with the story, and draws surprises out of dark corners to rewrite everybody’s favourite love story.

The Psychic Survey series by Shani Struthers, beginning with The Haunting of Highdown Hall. Top class paranormal fiction, with a wonderful cast of characters and a series of astonishingly plausible ghostly phenomena. Don’t take my word for it: the first book in the series has had 228 reviews on Amazon, and I gave it 5 stars. I’ve loved everything Shani’s written so far. If you don’t fancy this, then try Jessamine, a more traditional romance, though still with Shani’s trademark twist. Quality writing.

These are just a glimpse of the variety on offer from Crooked Cat. I haven’t mentioned Catriona King’s Craig Crime series, murder mysteries set in Belfast, all expertly crafted; or David W Robinson’s Sanford Third Age Club cosy crime series (if you enjoy them, there are currently fourteen to choose from). There’s historical fiction varying from Nancy Jardine’s Beltane Choice trilogy, set in Roman/Celtic times to Vanessa Couchman’s The House at Zaronza, set on Corsica during World War I, and Jeff Gardiner’s tale of 1960s Nigeria, Igboland. There’s magical realism from Ailsa Abraham, fantasy from Maggie Secara, and historical romance from Cathie Dunn.

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Top of my wishlist, upcoming in 2017: Murder mystery The Hanging Murders by Rex Carothers, magical romance Thunder Moon by Joanna Mallory (with the most beautiful cover, completely spell-binding) and World War II historical fiction The May Queen from Helen Irene Young.

Whatever you’re looking for in a story, you’ll find it at Crooked Cat – ebooks at the touch of a button, or paperbacks delivered within a few days via Amazon. And doesn’t a book make the perfect Christmas present, too? Here, to finish with, are my own books, all with Crooked Cat – guaranteed to please and entertain.

myBook.to/CalgaryChessman
myBook.to/Lismore
myBook.to/Ashentilly

myBook.to/WildAir

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Broad Thoughts from a Home

Here I am on Sue Barnard’s blogspot, talking about the writing journey, and my new book, The Ashentilly Letters (third in the Calgary Chessman sequence, published 18/11/16).

https://broad-thoughts-from-a-home.blogspot.co.uk/2016/11/letters-patent-interview-with-yvonne.html

The Ashentilly Letters

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The third book in the Calgary Chessman sequence is out next week, and I’m really looking forward to the launch day (Friday 18th November 2016, although you can pre-order it now online). The arc begun in The Calgary Chessman, which saw Cas Longmore and her son both begin new chapters in their lives, moved on through the disturbing events of The Book of Lismore, and now reaches a natural closure as Cas returns to her grandparents’ farm in New Zealand, and Sam begins his independent life at university.

Life is full of surprises, though, and both of them have their troubles to face. Like its predecessors, The Ashentilly Letters tells a complete archaeological story, this time with a Roman theme. Just how far north in Scotland did the legions really get? Here’s a taste of the story, to get you going.

The Ashentilly Letters (UK)

The Ashentilly Letters (US)

The Ashentilly Letters (extract)

There was just one trench still open that morning, and only the desire to complete the job motivated the students to continue working on it, even as their supervisors began the task of closing down the site. Mid-morning, the pair of girls currently scraping the next layer off the trench shouted for help. Niall had been closest, and he and Sam strolled over to see what the students had found: small lumps of rusted metal, several of them clustered together at one end of the trench. The girls. Rachel and Sarah, scrambled out to let Niall take a closer look. He squatted, careful not to disturb the remainder of the trench, and examined the lumps more closely, before standing and turning to Sam.

“Go for Tim, please. We need him straight away.”

Sam went without question, and was soon back with the dig leader.

“What have you found, Niall?” Tim’s voice was calm. The chances of finding anything really exciting at this late stage of the dig were pretty low.

“Hobnails.”

“Really?” Tim knelt at the edge of the trench and thrust his face into its depths.

Niall fished the head torch out of his pocket and turned it on. The narrow beam played over the cluster of finds.

“I agree. Given what we’ve already uncovered this week, they may be Roman. We can’t walk away from this – it could potentially be the evidence we need to pull the site into perspective. Go for it. But we have to do it today: the permit runs out at midnight, and the weather is on the turn. We won’t get another chance.”

Niall climbed out of the trench and gave his orders, pulling together a team of four to begin work under his direct guidance, and later in the day dragging in another four to erect and hold the gazebo as they worked frantically to remove as much of the find as they could before the forecast weather rolled in. There was no delay to wait for the permission of the authorities. The local police sergeant had been on hand all day, fascinated by what the dig had revealed about the pre-history of his territory. A quick phone call was all it took for permission to be given to lift the burial.

For burial it was: no bones remained in the sodden, acidic soil, though stains indicated the probable layout of the skeleton, but throughout the afternoon other artefacts turned up, the last of them proving beyond doubt that their find was Roman. By that time it was Niall and Tim on their knees, with their students crowding round, keeping just far enough back not to collapse the edge of the trench as their tutors worked on into the night.

The gazebo gave up the ghost, ripping down the middle under a single gust of wind, just as Niall raised the final, most precious piece of evidence. Sam felt a burning sense of pride in his friend as the archaeologist wrapped the find in protective plastic and emerged, plastered in mud. One hand cradled it carefully as he gave instructions for filling in and re-turfing, but as he made his way round the end of the trench, the other reached out to wrap round the back of Sam’s head and pull him close for a triumphant kiss. Sam shoved his torch in his pocket and picked up a spade, to join his colleagues in the dirty work of trench filling.

He smiled joyously into the darkness.

Walking on Wild Air

A haunting story of love lost, and of the healing only time can bring.

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At the summit of a bare hill, on a quiet island in the bleak west of the world, a storm was brewing. Lightning flickered and dark clouds glowered over the hilltop, their rain-heavy bases lit from within by sullen flashes.

A bolt split the sky and the rain sheeted down, half hiding the ground with its jumbled boulders and sparse coating of grasses. For a moment the scene flickered, like a jerky film noir, and then a figure could be seen on the hilltop, curled up in the foetal position, unmoving.

Thunder cracked overhead and the man raised his head, hauling his body wearily after it. He climbed to his feet and pressed them against the ground, as if testing its ability to hold him. On one buttock there was a red mark, where a rock had pressed into his side, but as he stood in the rain the mark bruised and faded, leaving no trace.

He squared his shoulders against the deluge as the clouds roiled overhead. A great shaft of lightning hit the hilltop precisely at his position, limning his figure for an instant in a halo of blue and white. He looked down at his fists, unclenched them and regarded his hands as if seeing them for the first time. He put his head back, staring upward as the rain poured over his face, drew in a deep, shuddering breath, and howled a cry of pure anguish.

https://www.amazon.co.uk/Walking-Wild-Air-Yvonne-Marjot-ebook/dp/B01AYBRBBU/ref=sr_1_1?ie=UTF8&qid=1463930151&sr=8-1&keywords=walking+on+wild+air

https://www.amazon.com/Walking-Wild-Air-Yvonne-Marjot-ebook/dp/B01AYBRBBU?ie=UTF8&keywords=walking%20on%20wild%20air&qid=1463930186&ref_=sr_1_1&sr=8-1

https://www.smashwords.com/books/view/610394

https://www.facebook.com/TheCalgaryChessman/

https://twitter.com/Alayanabeth

 

A Cunning Plan

Today my guest is Astrid Arditi, whose romantic mystery A Cunning Plan has just been published by Crooked Cat.

Determined to put her family back together, Sloane Harper stalks her ex husband and his annoyingly stunning mistress, Kate. But she’s not the only one. Handsome IRS agent Ethan Cunning is surveying them too, but not for the same reasons. He is attempting to nail Kate’s playboy boss.

Ethan and Sloane decide to help each other, which sends Sloane’s wobbly life spinning out of control. She’ll have to face danger, humiliation, and scariest of all, the dating scene, to lure her daughters’ father home.

Losing control was the best thing to happen to Sloane… until it turned lethal.

Cunning Plan - High Resolution

Hello Astrid, welcome to The Knitted Curiosity Cabinet. Tell us about your book.

A Cunning Plan is the first book in the Sloane Harper series. It’s a romantic mystery. Although my heroine’s everyday life shares similarities to my own – we are both stay at home mums with two young kids – the rest of the story is total fiction and my life is way more predicatble (thankfully!) than Sloane’s.

Who is your favourite character? What particularly inspired you to write his or her story? Is your character warm and winning, or prickly and difficult? How does their personality affect the way you choose to write about them?

I’m very fond of Sloane. She’s sweet and loving, funny and totally dedicated to her family and friends. She’s also weak and insecure, although she grows a lot in the book. At the beginning, some readers were shocked at how much of a doormat she is but it’s a truth about her character I couldn’t tone down. It makes you cringe to read it but I actually know many women like her. Fantastic women who have lost their confidence and believe they deserve to be put down. You wouldn’t cheer as much for Sloane if you didn’t know her to be weak, and at least the only way for her to go as the story evolves is up!

What about location? Why did you choose this setting? Do you know the area well? Or is it somewhere you can visit only in imagination? How can you readers best imagine the landscape in which your books are set?

The story is set in London where I live. Most places actually exist or are loosely based on real locations, which helps make the world of the story believable.

How did you come to be a writer? Tell us a little about your personal journey.

I’m cursed with a wild imagination so I’ve always dabbled with writing but my lack of confidence held me back for a long time. Over the last two or three years though, I’ve completed a couple manuscripts and finally came to accept I was a writer. Sending my novel to agents and publishers, then being signed by Crooked Cat, has finally made it official. I can’t wait to start receiving feedback from total strangers!

How do you choose your characters names? Are names important? Do you feature real historical characters, or are they all completely fictional?

For Sloane, I needed a name that conveyed her social status – AKA a WASP. Hence Sloane Harper. For her male counterpart, Ethan, I chose a last name that gave hindsight on his personality – Cunning. My characters are all fictional so all names are made up. I look through baby names’ lists, keep store of all names that strike my fancy. Names are really important to me. They make the characters real.

What’s coming up next? Are you working on a new novel? What else have your written?

I’m meant to start book 2 in the Sloane Harper series. Most of the book is already neatly outlined in my mind, I just need to sit down and write now.

Tell us something about the main character in your next book.

Sloane will be back in book 2 obviously, and so will Ethan Cunning. I’ve got a new sexy character ready to make an appearance in book 2, Felix Leconte. Can’t wait to see how he and Sloane will interact. You can expect sparks!

Who will enjoy your books? How do you connect with your readers?

Women age 25 to no limit. There is a universal truth in a character like Sloane, trying to find equilibrium between her family’s demands and her own needs. Hopefully it should speak to all women looking for a light read and a good laugh.

I’d love to connect with my readers. I’m on Twitter, Facebook and I blog at www.astridarditi.com. I’m also planning to set up an Instagram account for Sloane.

Tell us something about yourself. Your favourite colour? Favourite animal? Favourite food? Why does it appeal to you?

I’ve got a massive sweet tooth. I’ve been promising to go on a diet every day since I’m twelve but I’ve never turned down a cake or a piece of chocolate. Life is too short to eat lettuce.

Who are your favourite authors (or favourite books)? Did these authors help to inspire your writing? In what way?

My favourite all time author is Stefan Zweig. I’m especially fond of his short stories. In a totally different register, I’m a big fan of Janet Evanovich’s Stephanie Plum series. More than twenty books down the line and I still laugh till my ribs hurt.

AUTHOR BIO

Astrid Arditi was born from a French father and Swedish mother. She lived in Paris and Rome before moving to London with her husband and daughter back in 2013. After dabbling in journalism, interning at Glamour magazine, and teaching kindergarten, Arditi returned to her first love: writing. She now splits her time between raising her kids (a brand new baby boy just joined the family) and making up stories.

A Cunning Plan is Arditi’s first published work.

LINKS

Amazon UK http://www.amazon.co.uk/Cunning-Plan-Astrid-Arditi-ebook/dp/B01D7H7O42/

Amazon US http://www.amazon.com/Cunning-Plan-Astrid-Arditi-ebook/dp/B01D7H7O42/

IBooks https://itunes.apple.com/fr/book/a-cunning-plan/id1102554468?mt=11

Nook http://www.barnesandnoble.com/w/a-cunning-plan-astrid-arditi/1123657004?ean=2940152965568

Kobo https://store.kobobooks.com/en-us/ebook/a-cunning-plan-5

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