Unintended Guardian

mythos legacy

“The Mythos Legacy, where real myths find real love.” Unintended Guardian is a short (too short) but very tasty introduction to the upcoming Mythos Legacy novels. It may be brief, but it gives a very clear flavour of what you can look forward to. I can already tell that the Mythos books are going to contain humour, fun, a gentle eroticism, and that they will reference a whole world of mythological creatures.

What if myths are real? What if there is another world alongside our own, inhabited by creatures we know only from story and legend? What if they are looking for love – an all too human characteristic? And what if one woman chooses to write a series of books about them – and that woman is Jami Gold, whose writing is clever, clear and sublimely entertaining. It’s got to be good, hasn’t it?

The Guardian here is Griff Cyrus, described by Jami’s protagonist as “a Viking of a man, all long tawny hair and broad shoulders.” In the Mythos world he is a gryphon ( part lion, part eagle) and he cannot bear the touch of sunlight – the sun is forbidden to him until he can undo his great error of three hundred years ago, when he lost the treasure he was supposed to be guarding. Solving his problem, and freeing him to walk in the light of day, require the assistance of his human neighbour, Kala, and the way in which she goes about it is very entertaining. No more shall be said on this point…

The first full-length Mythos novel is the upcoming Treasured Claim – a dragon story with a difference. It promises much.

Jami Gold is no stranger to those of us who are practicing the writer’s craft. She has a very good website, full of useful tips and information, and I’ve featured her in my blog before. I find her writers’ worksheets particularly useful. http://jamigold.com/

Review of Parallax by Sinead Morrissey

the StAnza Blog

sinead-morrissey-parallaxAs part of our project to make available reviews of poets taking part at StAnza 2015, we are obliged to DURA – the Dundee University Review of the Arts – for allowing us to re-post this review from their website. Written by staff and students, DURA supports independent cinema & publishing. DURA promotes diversity and supports local and regional arts. See more reviews of poetry and prose on their website at http://dura-dundee.org.

Parallax (Winner of the 2014 TS Eliot Poetry Prize)

Sinéad Morrissey
(Carcanet, 2013); pbk, £9.95

Parallax is an astronomical term for the apparent displacement of an object caused by a change in the point of observation. In this wide-ranging collection of the same name, short-listed for the 2013 Forward Prize, Morrissey considers from different angles how our position affects what and how we see.

In several poems, Morrissey’s lens is taken from the visual arts. She writes about…

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Here is my interview with Yvonne Marjot

My blog interview with Fiona McVie. Thanks, Fiona.


Y Marjot author pic Aug 2014

Name Yvonne Marjot
Age 52
Where are you from? I was born in England but grew up in New Zealand. Now I live on the Isle of Mull, off the west coast of Scotland.
A little about your self `ie your education Family life etc
Yvonne Marjot was born in England, grew up in New Zealand, and now lives on an island off the West Coast of Scotland. She has a Masters in Botany from Victoria University of Wellington, and a keen interest in the interface between the natural and human worlds. She has always made up stories and poems, and once won a case of port in a poetry competition (New Zealand Listener, May 1996). In 2012 she won the Britwriters Award for poetry, and her first volume of poetry, The Knitted Curiosity Cabinet, was published in 2014 by Indigo Dreams Publishing.

She has worked in schools, libraries and…

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…yeez’ll never guess… what do Crooked Cat Publishing, the Middle East, and Tobermory on the Isle of Mull have in common?…

…yeez’ll never guess… what do Crooked Cat Publishing, the Middle East, and Tobermory on the Isle of Mull have in common?….

The Calgary Chessman – new book by Yvonne Marjot

Thanks, Angelika, for coming up with a really fun interview – and for hosting me on your blog.

Angelika Rust

Yvonne Marjot, the name rings a bell, doesn’t it? Right, over the past months, she contributed greatly to my little PublicTransport PoeTry project. Today, her book The Calgary Chessman was published. I’ll admit, I haven’t yet finished reading it, but I’ve read the first few chapters when it was still on authonomy, liked it a lot and thus was delighted when she asked me whether I’d be willing to bang a few drums for her.

So let’s move straight on to what she has to say.

WhoY Marjot author pic Aug 2014 are you?

My name is Yvonne Marjot, and that’s also the name under which I’m published. I did think about having a pseudonym, but my surname’s pretty unusual and I hope that means I stand out. Don’t worry if you’re not sure how to pronounce it – even my family aren’t entirely sure!

Until now, I thought it’d be with a j as…

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2014 StAnza Digital Slam Results!

Listen to the winner of the StAnza blog poetry slam, Stephen Watt. A cracking poem.

the StAnza Blog

StAnza 2014 Slam, photo by Helena Fornells Nadal StAnza 2014 Slam, photo by Helena Fornells Nadal

Thanks again to everyone who took part and/or voted in our 2014 Digital Slam, and to this year’s partner, the Badilisha Poetry Exchange. It was a strong shortlist and we received a record number of votes. These have now been counted etc, and we can announce:

In third place: Ama Asantewa Diaka

In second place: Batsirai Chigama

And the WINNER of our 2014 Digital Slam is: Stephen Watt

Congratulations to Stephen! Look out for a special blog about him in a week or so. In the meantime, here’s the winning performance:

4. Stephen Watt (Dumbarton)

And if this has whetted your appetite for slam, don’t forget the heats of this year’s BBC Edinburgh Slam at the Fringe, in which StAnza’s Eleanor Livingstone is again a judge, are currently taking place every evening until Thursday at 8.15pm in the Pink Bubble at Potterrow…

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A couple of weeks ago I interviewed Jeff about his novel, ‘Igboland’. Here’s some more information about how the book came to be.

Jeff Gardiner's Blog

Igboland cover5My novel, IGBOLAND, is inspired by the photos, diaries and stories of my Mum and Dad, Janet and Gerald. They lived in the Nigerian bush for six years as missionaries, during the Biafran War. They faced many difficulties and hardships, but remember their time with great joy; for them it was a life -changing experience as a young couple. I was born out in Nigeria (in Jos), and my parents brought up two children with relatively few resources.

Below is a selection of some photographs from their time out there – taken between 1964-70.

1037 Village MethodistsA friendly welcome from the brightly-dressed local villagers.

1053 J with manse catMum and the pet cat – mainly kept to catch mice and rats.

box 1021 FrangipaniDad admiring the frangipani blossom. Plants grew very quickly and dramatically in the West African climate.

1080 Usha bridgeMy parents’ VW Beetle attempting to cross another precarious bridge. Most of the roads were dirt tracks, which after…

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‘Igboland’ – a Biafran story

‘Igboland’, by Jeff Gardiner, is published by Crooked Cat Publishing, Edinburgh. It’s fiction, backed up with solid research and factual information – my favourite kind of fiction. I’ll confess an interest straight away – my first novel is also published by Crooked Cat, and Jeff is my editor. I’m enjoying a brief break from writing, and taking the opportunity to catch up on my reading. I’m delighted Jeff agreed to answer a few questions for my blog. Take a look at this book – it’s well worth reading.

Jeff Gardiner – ‘Igboland’

 What started you writing? What made you want to become a writer?

 I’ve always loved reading for as long as I can remember. When I was young, I wanted to be able to write something that affected others as much as a book like ‘The Wind in the Willows’ affected me. (Haven’t achieved that yet, but it’s good to aim high). As an adolescent I wrote terrible, self-indulgent poetry and plays, which I hope never see the light of day. Once I had more life experience, I began to write stories and found some success with those. I write because my head is full of images and stories to tell.

 Your book ‘Igboland’ is set in Nigeria during the Biafran conflict of the 1960s. What led you to choose this topic for your story?

 I was born in Nigeria during the Biafran/Civil War. My parents were missionaries living out in Idoma. I’m very proud and sentimental about my Nigerian roots, and the idea of writing a novel set there was always something I wanted to do. ‘Igboland’ uses some context and details from my Mum’s diaries, but the story is fictional. I very much enjoyed researching Igbo culture and their beliefs – known as Odinani. We in the west could learn a great deal from their profound understanding of the world around us.

 How has writing this book changed the way you approach writing?

 ‘Igboland’ involved more research than my previous novel, ‘Myopia’. I had a strong structure, which did change and turn itself almost inside out at one point. I’m better at structures and planning now. ‘Igboland’ went through a number of edits before being sent off to publishers. I learnt a great deal about editing through the process of completing it. Editing is something that writers must take seriously. It’s an essential element of novel writing.

 In what formats is your book available? Do you favour some formats above others (e.g. e-books versus print)?

 My novels ‘Igboland’ and ‘Myopia’, and my collection of short stories (‘A Glimpse of the Numinous’), are available as paperbacks and e-books. My novel ‘Treading On Dreams’ is in e-book only. I always used to favour proper books, but I am slowly coming round to e-books. I now have a kindle and read most books on it now. The only thing I don’t like about e-books is that it’s difficult to flick back quickly to find a previous extract.

 What advice would you give to aspiring writers?

 You have to believe in your product. If you don’t then nobody else will. Never give up. Have courage and persistence. Get used to rejection and toughen up. Be business-like, and be prepared to work hard at marketing your books. It doesn’t finish when you write ‘The End’. Enjoy being creative.

 Thanks for reading this, and thanks for having me on your blog, Yvonne.

Ice Cream Star

I’m an inveterate reader. I always have several books on the go, both fiction and non-fiction, and if I run out of new things I’m happy to read old favourites over and over again. Every now and again, though, a book comes along that makes me think: why did I not realise until this moment that my life was incomplete? Some books ambush you in the first few words, and then take up a space in your heart that was waiting for them, it was only that you didn’t realise their place was already prepared.

Such a book is “The Country of Ice Cream Star” by Sandra Newman.

Please let me say: I don’t know the author, I have nothing to do with the publisher, I haven’t been asked to do this review. Ice Cream Star is just by light years the best thing I have read this year. Here’s the review I wrote for it on Amazon:

“It’s not often I wish Amazon allowed the award of six stars. This is one of those books. I’d award it maximum points for its use of language alone: Ice Cream Star speaks to us in a patois of childspeak, mutated grammar and sophisticated reasoning that is compelling to read. She has a unique voice.

The story itself is a beautifully written realisation of a harsh, unforgiving world. It is full of hardship and misery, and the kinds of half-baked systems that you would expect to be invented by children left in charge of their own future. The plot is horrifyingly plausible: a brilliantly realised dystopian vision, with Ice Cream Star front and centre, a reluctant heroine we cannot help but love.

I can only wish to write with such facility. I confidently predict that this book is going to soar.”

If you haven’t read a sample of this book yet, please do. It’s consummate prose, not a word out of place. I stayed up until 1 a.m. because I couldn’t put it down until I’d finished. Now I’m going to read it again, and see what I can learn from it. Take a look. You won’t regret it.